Engineering #3 unfolds a serene geometry, where structured blues and lines of gold evoke Euclid’s ambition to model the world in three clear and ordered dimensions.
 
Vertical and horizontal forms articulate like a secret language, suggesting the silent rigor of theorems that shape our perception of space: x, y, and z—three axes of force that alone suffice to describe our visible world.
 
The whole expresses a minimalist elegance, where the poetry of calculation meets the delicacy of artistic abstraction.
 
Acrylic on cotton canvas, 50 × 50 cm, mounted on stretchers
Ecru edges, gold leaf detailing
Matte varnish finish
Countersigned on the back